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Features “Where Do We Come From? What Are We? Where Are We Going?” by Paul Gauguin
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Reviews “Where Do We Come From? What Are We? Where Are We Going?” by Paul Gauguin

Q/A “Where Do We Come From? What Are We? Where Are We Going?” by Paul Gauguin
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Frequently Asked Questions
  • What existential questions does Gauguin pose in "Where Do We Come From? What Are We? Where Are We Going?"?
    Open Answer

    The enormous painting, which Gauguin described as his masterpiece and painted in the belief that he was about to die, presents a series of figures across a tropical landscape representing the full cycle of human life — from the infant at the right through the adults engaged in various activities to the elderly figure at the left — while a mysterious blue idol presides over the scene. The three questions of the title are posed not answered, making the painting a meditation on human existence rather than a doctrinal statement.

  • What visual and compositional strategies does Gauguin use to create this ambitious work?
    Open Answer

    Gauguin moves right to left against the conventional reading direction — from birth through life to death — and uses a deliberately flattened, tapestry-like composition that draws on Javanese temple reliefs, Egyptian art, and Japanese prints to create a sense of timeless, mythological presence rather than contemporary narrative. The rich blues, yellows, and greens are applied in flat areas that create a sense of dream and ritual rather than realistic observation.

  • What was the circumstances of this painting's creation and Gauguin's state of mind?
    Open Answer

    Gauguin painted this work in 1897-98 in Tahiti, during a period of desperate poverty, illness, and depression following the death of his daughter in Paris. He reportedly painted it in a single fevered month without preliminary studies, intending it as his artistic testament before his planned suicide — which ultimately did not occur. The painting now belongs to the Museum of Fine Arts in Boston.

  • How does this monumental painting work as a reproduction in a home interior?
    Open Answer

    The painting's extraordinary ambition, its rich tropical palette, and its meditation on the deepest questions of human existence make it a profoundly affecting presence for any serious interior — libraries, living rooms, or spaces dedicated to philosophical and aesthetic engagement. It is among the most ambitious paintings ever made, and reproducing it in any space introduces a quality of expanded human questioning that enriches daily life.


Additional Information “Where Do We Come From? What Are We? Where Are We Going?” by Paul Gauguin

“Gauguin painted life's mystery.” Belinda Thomson

“The questions remain unanswered.” Stephen Eisenman

“Birth and death share one canvas.” Richard Brettell

“Gauguin's final testament.” Nancy Mowll Mathews

“Tahiti holds all human mystery.” Vojtech Jirat-Wasiutynski

#1. Monumental Work. At nearly 13 feet wide, this is Gauguin's largest painting.

#2. Life Cycle. The painting shows life's journey from birth to death.

#3. Suicidal Context. Gauguin painted this before a failed suicide attempt.

#4. Tahitian Setting. The scene is set in Gauguin's adopted Tahitian home.

#5. Philosophical Title. The title poses the fundamental questions of existence.