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Features “The Wedding at Cana” by Paolo Veronese (Caliari)
Main Features
Author
Paolo Veronese (Caliari)
Color
Black, White, Gray, Brown, Red, Beige, Green
Tags
ohn Singer Sargent, Spanish dance, flamenco, performers, movement, dramatic, cultural, lively
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Additional Information “The Wedding at Cana” by Paolo Veronese (Caliari)

“Veronese painted paradise as a Venetian party — everyone welcome, everything magnificent, the miraculous woven into the festive as though it belonged there.” — The Louvre, Paris

“No other painter has made a religious subject so unabashedly, magnificently, joyfully worldly.” — Robert Hughes, The Shock of the New

#1. The Louvre’s Largest Painting. Veronese’s Wedding at Cana (1562–1563), painted for the refectory of San Giorgio Maggiore in Venice, measures 6.77 × 9.94 metres — it is the largest painting in the Louvre and one of the largest in the world.

#2. Musicians Are Painters. In the foreground, the musicians at the wedding feast are portraits of the greatest painters of the age: Titian plays the bass viol, Tintoretto the violin, Bassano the flute, and Veronese himself the viola da braccio — a remarkable act of artistic self-assertion.

#3. Taken by Napoleon. The painting was seized from Venice by Napoleon’s forces in 1797 and brought to Paris, where it has remained ever since. A full-size replica now hangs in the original location in San Giorgio Maggiore.