• Photo 1
  • Photo 2
  • Photo 3
  • Photo 4
  • Photo 5

The Vision After the Sermon (Jacob Wrestling with the Angel)

Paul Gauguin

Item Number: 30588

$
$785
Save $306

Gauguin divides the canvas with a strong diagonal: a group of Breton women in white headdresses cluster in the foreground, heads bowed; behind them, on a flat red ground, the small figures of Jacob an...

Full Description
Choose your size
Choose your framing option
Choose Guide
  • ✈️ Free Worldwide Shipping & Production Times
    Open

    Total Estimated Delivery: 17–34 Business Days

    Since this is a 100% hand-painted artwork made to order, delivery takes a bit longer than mass-produced prints. Here is the exact breakdown:

    • Processing (7–14 Business Days): Our artists craft and hand-paint your piece. High-quality oil paintings require time for layers to dry properly to ensure they arrive in perfect condition.
    • Shipping Transit (10–20 Business Days, Worldwide): Once your painting passes quality control, it is handed over to our reliable shipping partners.

    Customs Note: International orders may be subject to import duties/taxes, which are the buyer's responsibility.

  • 🛡️ 30-Day Money-Back Guarantee & Returns
    Open

    We want your purchase experience to be as easy as possible! You have 30 days after receiving your item to request a return.

    • Standard Artworks: Eligible for return within 30 days (must be new, unused, and in original packaging). For "change of mind" returns, the buyer covers return shipping costs. We do not charge any restocking fees.
    • Damaged or Defective Items: If your art arrives damaged, contact us immediately. We will offer a free replacement or a full refund and cover any return shipping costs.
    • Custom & Personalized Orders: Due to their unique nature, portraits and custom-modified artworks are final sale and cannot be returned unless they arrive damaged.
    • Cancellations: You may cancel your order for free within 24 hours of purchase.

    To start a return, simply contact us at info@tryartwork.com.

  • 🎨 100% Hand-Painted Oil Art
    Open

    This is NOT a print. You are purchasing a genuine, hand-painted oil reproduction created by a skilled artist.

    We use museum-quality canvas and rich oil paints to capture the texture, depth, and soul of the original masterpiece. Every brushstroke is applied by hand, making your artwork truly unique.

Our benefits
  • 100% Hand-Painted Oil
    100% Hand-Painted Oil
  • Free Worldwide Shipping
    Free Worldwide Shipping
  • Museum-Quality Standards
    Museum-Quality Standards
Features “The Vision After the Sermon (Jacob Wrestling with the Angel)” by Paul Gauguin
Overview
Author
Did you see an error in the description or specifications? Let us know about it!
Report an error
Description “The Vision After the Sermon (Jacob Wrestling with the Angel)” by Paul Gauguin

Gauguin divides the canvas with a strong diagonal: a group of Breton women in white headdresses cluster in the foreground, heads bowed; behind them, on a flat red ground, the small figures of Jacob and the angel are wrestling. A bare tree trunk runs across the diagonal between the two halves of the picture. The colour is laid in flat, almost graphic planes — closer to a stained-glass panel than to a naturalistic study.

The hand-painted oil reproduction keeps the flatness of the red ground and the cleanness of the contour drawing — the part of the picture that defines Gauguin's break from impressionism. The image suits a wall where the picture can do most of the visual work: a hallway, a sitting room corner, a study. A slim dark wood frame keeps the design honest.

The painting is one of the central works of Gauguin's Pont-Aven period and a defining piece of symbolist post-impressionism. As a museum-quality reproduction it offers a sharp turn away from naturalism on a manageable scale. It reads strongly on its own and equally well as part of a measured pair.

Collector's Guide PDF “The Vision After the Sermon (Jacob Wrestling with the Angel)” by Paul Gauguin
Reviews “The Vision After the Sermon (Jacob Wrestling with the Angel)” by Paul Gauguin
Add your review
Q/A “The Vision After the Sermon (Jacob Wrestling with the Angel)” by Paul Gauguin
Experts answer questions
Add your questions
Frequently Asked Questions
  • What biblical and contemporary subjects does Gauguin fuse in "The Vision After the Sermon"?
    Open Answer

    The painting shows Breton women in traditional costume who, after a Sunday sermon, experience a collective vision of Jacob wrestling with the angel — the biblical scene appears in the upper right of the canvas, separated from the women in the foreground by a sharply diagonal red tree that divides the real from the visionary. Gauguin fuses contemporary Catholic devotional experience with biblical narrative to explore the visionary capacity of simple, unintellectual faith.

  • What visual innovations make "The Vision After the Sermon" a landmark of Post-Impressionism?
    Open Answer

    The blazing red ground of the vision — inspired by Japanese woodblock prints and entirely non-naturalistic — was a radical departure from Impressionist palette practice and announced Gauguin's Synthetist approach: color used for expressive and spiritual rather than optical purposes. The heavy outlines, the flattened space, and the radical color of this work directly influenced Bernard, Denis, and the Nabis movement that followed.

  • What was the reception of this work when Gauguin offered it to a local church?
    Open Answer

    Gauguin offered the painting to the curé of the church at Nizon, near Pont-Aven, for the church's collection — an offer that was politely declined, reportedly because the priest did not consider the work suitable for a religious setting. The irony of a painting about the devotional vision of ordinary people being rejected by a church was not lost on contemporaries.

  • How does this painting affect the atmosphere of a living room or library?
    Open Answer

    The painting's extraordinary combination of contemporary and biblical, naturalistic and visionary, creates an intellectually and aesthetically rich presence that rewards repeated attention. Its blazing red background and the quiet authority of the praying women create an atmosphere of serious spiritual engagement that suits any room dedicated to serious aesthetic experience.

Additional Information “The Vision After the Sermon (Jacob Wrestling with the Angel)” by Paul Gauguin

“Gauguin painted faith as vision.” Belinda Thomson

“The red field divides seen and believed.” Stephen Eisenman

“Brittany's faith becomes symbolic art.” Richard Brettell

“Gauguin made the invisible visible.” Nancy Mowll Mathews

“Wrestling with angels happens in the mind.” Vojtech Jirat-Wasiutynski

#1. Breton Scene. Breton women experience a vision after hearing a sermon.

#2. Bold Color. The red field separates the real and visionary worlds.

#3. Japanese Influence. The flat areas and diagonal tree show Japanese print influence.

#4. Religious Experience. The painting depicts faith as subjective vision.

#5. Breakthrough Work. This painting marked Gauguin's move toward Symbolism.

The balanced composition asks for a gallery wall or a study, or a library. Mounting at slightly higher than seated eye level lets the composition read from across the room. It belongs in period-friendly settings, near deep green walls and simple linen sofas. Placed thoughtfully, it brings a quiet weight to a room without dominating the social atmosphere. The work rewards both a casual passing glance and a long, close inspection.

Hand-painting it well means committing to the balance of light across the scene and then refining the modeling of figures. The artist tests color on a separate surface before committing to the canvas. Religious scenes call for careful drapery work and a steady, even light across the figures. The painter signs no claim to museum-level replication; the goal is a careful, honest oil reproduction.

The painter builds the picture without forced direction. The chromatic range is kept narrow, with shifts of tone doing much of the visual work. Light enters at a deliberate angle, supporting the composition without competing with it. The painting carries cleanly across a room and holds its character on a closer look. The painter's hand is present without dominating the image, paint and drawing balanced. Drawing and paint application remain in dialogue across the whole scene.

More From Paul Gauguin
Related Searches