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Features “The Last Supper” by Juan De (Vicente) Juanes (Masip)
Main Features
Author
Color
Brown, White, Beige, Red, Blue, Green, Yellow, Black, Gold
Tags
Art, Painting, Last Supper, Disciples, Biblical, Religious, Christian, Historical, Classical, Gathering, Meal, Figures, Apostles, Framed
Main Features
Alternate Titles
Juanes’ Last Supper
Art Movement
Renaissance
Historical Events
Catholic Depictions Of The Last Supper
Visual and Stylistic Elements
Brushwork/Texture
Detailed And Renaissance-Like
Focal Point
Christ At The Center Of The Table
Light Source
Divine Tabletop Glow
Objects
Table , Jesus , Disciples , Jug , Bowl , Food , Tablecloth , Halos , Architecture , Frame , Chairs
Orientation
Horizontal
Perspective
High Renaissance Table Arrangement
Original Masterpiece Features
Condition/Restoration History
Extensive Restoration
Creation Process
Oil On Panel
Inscriptions/Signatures
Signed By Juanes
Patron/Commissioner
Catholic Church
Provenance
Museo Del Prado, Madrid
Influences and Related Works
Influences
Biblical Iconography, Renaissance
Related Works
The Ghent Altarpiece
Exhibition and Market Information
Auction Price
Various Museums And Private Collections
Criticism & Reception
Celebrated As A Masterpiece Of Spanish Religious Art
Cultural Significance
Depicts Christian Devotion And Tradition
Current Owner
Various Museums And Private Collections
Exhibition History
Museo Del Prado, Madrid
Insurance Value
Various Museums And Private Collections
Market Trends
Various Museums And Private Collections
Public Domain Status
Various Museums And Private Collections
Reproductions
Various Museums And Private Collections
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Additional Information “The Last Supper” by Juan De (Vicente) Juanes (Masip)

“Juanes gave the Last Supper an intimacy that the great Italian versions never quite achieved — a Spanish solemnity, a sense of private devotion made monumental.” — Museo del Prado catalogue

“The figures seem aware of what is about to happen — the meal is sacred, the moment is unbearable, and the painting holds both truths at once.” — Spanish Religious Painting, 1977

#1. The Spanish Raphael. Juan de Juanes (c.1507–1579) was the leading painter of 16th-century Valencia and was known as “the Spanish Raphael” for the serene grace of his religious compositions — a quality fully evident in his multiple versions of the Last Supper.

#2. Christ Holds the Host. Unlike Leonardo’s version, which focuses on the moment of betrayal (“one of you will betray me”), Juanes depicts Christ holding the consecrated host — the moment of the Eucharist — making this a devotional image for the Mass rather than a dramatic narrative.

#3. Multiple Versions. Juanes painted the Last Supper several times — at least five versions survive. This suggests high demand for the composition from Spanish churches and private patrons during the Counter-Reformation, when such devotional images were particularly valued.