Striped Gaze 2

Item Number: 31732

$

Stark black and chalk-white stripes cover this hand-painted oil on canvas in a close-up portrait of a zebra's head, with brushed metallic-gold accents running down the left side and a single dark ambe...

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    This is NOT a print. You are purchasing a genuine, hand-painted oil reproduction created by a skilled artist.

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Features “Striped Gaze 2”
Overview
Color
Tags
Animal, Contemporary, Figurative, Decorative, Modern, Gold Leaf
Concept and Style
Topics
Nature & Harmony , Contrast & Balance
Styles
Figurative , Realism , Contemporary
Shape
Vertical
Recommended Spaces
Estate Type
Room Type
Visual and Stylistic Elements
Objects
Animal , Face
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Description “Striped Gaze 2”

Stark black and chalk-white stripes cover this hand-painted oil on canvas in a close-up portrait of a zebra's head, with brushed metallic-gold accents running down the left side and a single dark amber eye holding the upper center. The temperature is sharply split — cold black against warm gold — and the mood lands somewhere between graphic poster and luxurious portrait.

The color story is built on three notes. Cool: dense matte black through the stripes and the muzzle. Bright: chalk white, dragged in real brush ridges so the surface reads as painted rather than printed. Warm: a vertical wash of metallic gold along the left edge, plus the small amber eye that grounds the whole composition. Because the gold runs in a continuous band rather than as scattered flecks, it adds a sense of light moving across the animal.

In a room, the work belongs where some bold contrast is wanted. Against a soft warm white or oat wall, the stripes land cleanly and the gold lifts forward; against deeper charcoal or smoked oak, the white passages glow and the painting reads as a striking single statement. Linen, washed wool, oak in a soft finish, brushed brass or aged-bronze hardware and ceramics in cream or terracotta tones all sit easily beside it.

Because the stripes are painted by hand rather than masked, the surface carries small ridges and drags that change with the light. Morning daylight cools the black and crisps the contrast; afternoon softens the edges; lamplight at night warms the cream stripes and brings the gold band forward like firelight on the animal. It earns its place above a sofa in a refined living room, in a home office, in a hotel suite, or in a hallway that needs one bold image.

This piece is offered as abstract wall art, painted to order on stretched canvas.

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Additional Information “Striped Gaze 2”

Stark black and chalk-white stripes cover this hand-painted oil on canvas in a close-up portrait of a zebra's head, with brushed metallic-gold accents running down the left side and a single dark amber eye holding the upper center. Visual cues include animal, face, and figurative.

The palette is anchored by black, gold, and white. The composition is vertical.

Striped Gaze 2 sits well in a bedroom or a hallway. Boutique hotel and hotel settings are also a strong fit.

It pairs with figurative and realism interiors more naturally than ornate ones. A vertical hang reads well above a sideboard or a narrow console.

Color-wise, the piece works with black, gold, and white. The cool register keeps the work quiet; nothing pushes forward more than the rest.

Painted by hand in oil on stretched canvas by a single painter. Edges are softened where the eye should rest and sharpened where it should stop, with tonal value carried through measured passes.

The figurative character runs through the underpainting, while the realism feel emerges in the surface passes. Striped Gaze 2 is finished with the traditional drying and varnishing cycle; the stretcher is keyed evenly to keep the canvas flat in shipping. The vertical stretch keys the canvas tighter at the long edges, which is what holds a tall format true on the wall.

A vertical canvas reads well above a narrow console, a slim sideboard, or beside a doorway — anywhere the eye needs a column of focus. Centre the canvas at standing eye level (around 150 cm above the floor); a vertical wants air on both sides.

The figurative character of Striped Gaze 2 prefers a wall that has a single focal piece rather than a grid. View Striped Gaze 2 from about twice the canvas height back; that is the distance at which the surface settles.

Other Pieces in This Series

Four paintings inspired by the same theme.

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