Squares with Concentric Rings (1913) by Wassily Kandinsky is a powerful examination of colour, form, and abstract art's emotional relevance. Often misinterpreted as a full-length painting, this work w...
Squares with Concentric Rings
Wassily Kandinsky
Item Number: 30034
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Author
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| Painting Details | |
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Alternate Titles
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Kandinsky’s Abstract Color Experiment
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Art Movement
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Abstract Art
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Historical Events
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Early 20th-Century Abstract Movements
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| Visual and Stylistic Elements | |
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Brushwork/Texture
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Flat And Vibrant
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Focal Point
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The Vibrant Concentric Circles
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Light Source
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Abstract Symbolic Light
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Perspective
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Flat Geometric Color Blocks
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| Original Masterpiece Features | |
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Creation Process
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Oil On Paper
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Inscriptions/Signatures
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Signed By Kandinsky
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Provenance
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Guggenheim Museum, New York
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| Influences and Related Works | |
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Influences
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Abstract Art, Color Theory
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Related Works
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Composition VIII
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Criticism & Reception
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Seen As A Landmark Abstract Work
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Cultural Significance
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Demonstrates The Power Of Color In Emotion
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Exhibition History
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Guggenheim Museum, New York
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Squares with Concentric Rings (1913) by Wassily Kandinsky is a powerful examination of colour, form, and abstract art's emotional relevance. Often misinterpreted as a full-length painting, this work was actually a research conducted by Kandinsky to test the emotional and psychological consequences of colour combinations. Despite its casual style, it has grown to be one of his most recognisable pieces, praised for its simplicity and vitality.
The composition is both straightforward and profound. It features a grid of squares, each containing a series of concentric circles rendered in varying hues. Each square is a self-contained universe, with its unique interplay of color creating a distinct mood or energy. The combination of bold, contrasting colors and softer, harmonious tones demonstrates Kandinsky’s mastery of color theory and his ability to evoke emotion through abstract means.
Kandinsky thought that colours had inherent meaning and could connect with people on a spiritual level. In Squares with Concentric Rings, the circular forms provide a sense of infinity and unity that contrasts with the grid's rigidity. The design encourages visitors to investigate how different colours interact and to experience subtle mood variations throughout the piece. This work exemplifies Kandinsky’s belief that art could communicate beyond language, appealing directly to the senses and emotions.
Though created as a study, Squares with Concentric Rings is a visual symphony, demonstrating Kandinsky’s unique ability to transform simple forms into profound statements. Its playful yet meditative quality makes it a favorite for art lovers and students of abstraction alike.
Today, this composition is widely produced as reproduction oil paintings for collectors and interior spaces.
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What does Kandinsky depict in Squares with Concentric Rings?
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What makes Squares with Concentric Rings visually so compelling?
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What is the historical and pedagogical context of this work?
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How does a print of Squares with Concentric Rings work in an interior?
- Quotes
- Interesting facts
- Best Rooms & Interior Pairings
- Hand-Painted Reproduction Notes
- Composition, Colors & Visual Details
“Color is the keyboard of the soul.” Wassily Kandinsky
“Each color vibrates against its neighbors.” Will Grohmann
“Kandinsky made color theory into art.” Rose-Carol Washton Long
“The grid becomes a color symphony.” Peg Weiss
“Science and art merge in pure color.” Vivian Endicott Barnett
#1. Color Study. The painting is a systematic study of color interactions.
#2. Grid Format. The regular grid allows comparison of different color combinations.
#3. Visual Music. Kandinsky wanted color to affect viewers like music affects listeners.
#4. Popular Image. This has become one of Kandinsky's most reproduced works.
#5. Bauhaus Period. Created while Kandinsky was teaching color theory at the Bauhaus.
The balanced composition asks for a reading corner or a hallway, or a living room. The composition asks for a wide unbroken wall where the eye can travel without distraction. The work pairs well with dark wood furniture, matte black frames, and a rustic feel. It rewards a quiet wall where its color and brushwork can be read without competition. Its presence settles a room without overwhelming it.
The artist faces two main challenges: the abstract symbolic light and the flat geometric color blocks perspective. Skin and fabric are handled in different rhythms; one stays smooth, the other carries visible weave. The painter's task is to honor the original's rhythm without trying to copy every mark mechanically. Worked by hand in oil on canvas, the painting retains the brush marks that give it life.
The wider canvas distributes its forms around The Vibrant Concentric Circles. The palette is held in close range, the painter favoring tonal modulation over high contrast. Light enters at a deliberate angle, supporting the composition without competing with it. The brushwork is handled to support the composition rather than to call attention to itself. The painting works in two registers: an overall arrangement and a layer of quieter detail. Form and finish work in step, neither overreaching the other.
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- Sir Thomas Francis Dicksee paintings
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- Tamara De Lempicka reproductions