Squares with Concentric Rings

Wassily Kandinsky

Item Number: 30034

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Squares with Concentric Rings (1913) by Wassily Kandinsky is a powerful examination of colour, form, and abstract art's emotional relevance. Often misinterpreted as a full-length painting, this work w...

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Features “Squares with Concentric Rings” by Wassily Kandinsky
Overview
Author
Painting Details
Alternate Titles
Kandinsky’s Abstract Color Experiment
Art Movement
Abstract Art
Historical Events
Early 20th-Century Abstract Movements
Visual and Stylistic Elements
Brushwork/Texture
Flat And Vibrant
Focal Point
The Vibrant Concentric Circles
Light Source
Abstract Symbolic Light
Perspective
Flat Geometric Color Blocks
Original Masterpiece Features
Creation Process
Oil On Paper
Inscriptions/Signatures
Signed By Kandinsky
Provenance
Guggenheim Museum, New York
Influences and Related Works
Influences
Abstract Art, Color Theory
Related Works
Composition VIII
Exhibition and Market Information
Criticism & Reception
Seen As A Landmark Abstract Work
Cultural Significance
Demonstrates The Power Of Color In Emotion
Exhibition History
Guggenheim Museum, New York
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Description “Squares with Concentric Rings” by Wassily Kandinsky

Squares with Concentric Rings (1913) by Wassily Kandinsky is a powerful examination of colour, form, and abstract art's emotional relevance. Often misinterpreted as a full-length painting, this work was actually a research conducted by Kandinsky to test the emotional and psychological consequences of colour combinations. Despite its casual style, it has grown to be one of his most recognisable pieces, praised for its simplicity and vitality.

The composition is both straightforward and profound. It features a grid of squares, each containing a series of concentric circles rendered in varying hues. Each square is a self-contained universe, with its unique interplay of color creating a distinct mood or energy. The combination of bold, contrasting colors and softer, harmonious tones demonstrates Kandinsky’s mastery of color theory and his ability to evoke emotion through abstract means.

Kandinsky thought that colours had inherent meaning and could connect with people on a spiritual level. In Squares with Concentric Rings, the circular forms provide a sense of infinity and unity that contrasts with the grid's rigidity. The design encourages visitors to investigate how different colours interact and to experience subtle mood variations throughout the piece. This work exemplifies Kandinsky’s belief that art could communicate beyond language, appealing directly to the senses and emotions.

Though created as a study, Squares with Concentric Rings is a visual symphony, demonstrating Kandinsky’s unique ability to transform simple forms into profound statements. Its playful yet meditative quality makes it a favorite for art lovers and students of abstraction alike.

Today, this composition is widely produced as reproduction oil paintings for collectors and interior spaces.


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Frequently Asked Questions
  • What does Kandinsky depict in Squares with Concentric Rings?
    Open Answer

    The painting is a systematic color study — a grid of squares each containing concentric rings of different colors — that was created as a teaching exercise at the Bauhaus to explore how different color combinations affect each other and the viewer's perception. It is simultaneously a scientific experiment and a work of extraordinary visual beauty, demonstrating that rigorous inquiry and aesthetic pleasure are not opposites.

  • What makes Squares with Concentric Rings visually so compelling?
    Open Answer

    Kandinsky places the same formal arrangement — concentric colored rings within a square — across twelve different color combinations, demonstrating how dramatically the same structure changes its emotional and optical character depending on the colors used. Some squares feel warm and expansive, others cool and contracting, others vibrating with optical tension. The overall grid, with its systematic variation, has a visual richness and rhythm that makes it one of the most satisfying and stimulating color compositions in modern art.

  • What is the historical and pedagogical context of this work?
    Open Answer

    Kandinsky created this color study during his teaching at the Bauhaus (1922–1933), where systematic investigation of the relationships between colors, forms, and psychological responses was central to the curriculum. His course, alongside those of Paul Klee and László Moholy-Nagy, defined the Bauhaus approach to color education and influenced generations of designers, architects, and artists. Squares with Concentric Rings is now one of the most iconic images of Bauhaus pedagogy and visual research.

  • How does a print of Squares with Concentric Rings work in an interior?
    Open Answer

    The painting's systematic beauty, its extraordinary variety within a unified structure, and its warm, jewel-like colors make it an ideal decorative choice for virtually any interior. It brings a sense of visual intelligence and chromatic richness to a kitchen, living room, studio, or office, and its grid format suits both maximalist and minimalist approaches. For design enthusiasts, color lovers, and Bauhaus admirers, it is one of the most perfectly satisfying images in modern art.


Additional Information “Squares with Concentric Rings” by Wassily Kandinsky

“Color is the keyboard of the soul.” Wassily Kandinsky

“Each color vibrates against its neighbors.” Will Grohmann

“Kandinsky made color theory into art.” Rose-Carol Washton Long

“The grid becomes a color symphony.” Peg Weiss

“Science and art merge in pure color.” Vivian Endicott Barnett

#1. Color Study. The painting is a systematic study of color interactions.

#2. Grid Format. The regular grid allows comparison of different color combinations.

#3. Visual Music. Kandinsky wanted color to affect viewers like music affects listeners.

#4. Popular Image. This has become one of Kandinsky's most reproduced works.

#5. Bauhaus Period. Created while Kandinsky was teaching color theory at the Bauhaus.

The balanced composition asks for a reading corner or a hallway, or a living room. The composition asks for a wide unbroken wall where the eye can travel without distraction. The work pairs well with dark wood furniture, matte black frames, and a rustic feel. It rewards a quiet wall where its color and brushwork can be read without competition. Its presence settles a room without overwhelming it.

The artist faces two main challenges: the abstract symbolic light and the flat geometric color blocks perspective. Skin and fabric are handled in different rhythms; one stays smooth, the other carries visible weave. The painter's task is to honor the original's rhythm without trying to copy every mark mechanically. Worked by hand in oil on canvas, the painting retains the brush marks that give it life.

The wider canvas distributes its forms around The Vibrant Concentric Circles. The palette is held in close range, the painter favoring tonal modulation over high contrast. Light enters at a deliberate angle, supporting the composition without competing with it. The brushwork is handled to support the composition rather than to call attention to itself. The painting works in two registers: an overall arrangement and a layer of quieter detail. Form and finish work in step, neither overreaching the other.



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