Portrait of Adele Bloch-Bauer II

Name: Portrait of Adele Bloch-Bauer II
Brand: Gustav Klimt
SKU: portrait-of-adele-bloch-bauer-ii
Price: 479 USD
Availability: InStock

Gustav Klimt

Item Number: 30506

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$785

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Gustav Klimt paints Adele Bloch-Bauer standing full-length in a long pale dress against a vertical ornamental band of deep red, blue and gold. The figure is centred and slightly stiff; the surrounding...

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Features “Portrait of Adele Bloch-Bauer II” by Gustav Klimt

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Author	Gustav Klimt

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Description “Portrait of Adele Bloch-Bauer II” by Gustav Klimt

Gustav Klimt paints Adele Bloch-Bauer standing full-length in a long pale dress against a vertical ornamental band of deep red, blue and gold. The figure is centred and slightly stiff; the surrounding decorative ground takes up most of the colour weight of the picture. The colour is held to warm cream of the dress, saturated red and gold of the ornament, and a single accent of deep teal on a cushion.

In a home, the picture suits a tall vertical wall — a stair landing, a hallway between two doorways, a private sitting room with warm wood, or a dressing area. The vertical proportion makes it a strong single-figure anchor.

The second Bloch-Bauer portrait belongs to Klimt's mature ornamental practice, a few years after the better-known first portrait. As an oil painting on canvas, the saturation of the decorative ground and the soft modelling of the dress depend on real paint to keep their balance. A slim dark wood or aged-gilt frame is the most coherent pairing. Lead times reflect the hand-painted process; buyers receive progress photos before shipping. Each canvas ships in protective packaging with corners reinforced.

Collector's Guide PDF “Portrait of Adele Bloch-Bauer II” by Gustav Klimt

Portrait of Adele Bloch-Bauer II — Collector's Guide (PDF)

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Who was Adele Bloch-Bauer and what makes this second portrait of her significant?

Adele Bloch-Bauer (1881-1925) was a prominent Viennese socialite, arts patron, and intellectual who was painted by Klimt twice — the first portrait (1907) in his gold-leaf manner, the second (1912) in a more painterly, colorful style that shows Klimt moving beyond the Golden Phase toward a richer chromatic expressiveness. She was one of the central figures of Vienna's Jewish cultural elite and a passionate supporter of Klimt's work.
How does this portrait differ stylistically from Klimt's first portrait of Adele Bloch-Bauer?

While the first portrait is dominated by gold leaf and flat, ornamental patterning, this second version is characterized by a broader range of color — pinks, blues, greens, and yellows — and a more fluid, painterly handling that shows Klimt's engagement with the Fauvist and Expressionist developments then transforming European painting. Adele's figure remains partially dissolved into decorative pattern, but the effect is lighter, more coloristic, and less monumental than the iconic first portrait.
What happened to the Bloch-Bauer collection during World War II and its aftermath?

The Bloch-Bauer family's art collection, including both Klimt portraits, was confiscated by the Nazis following the annexation of Austria in 1938. After a lengthy legal battle, Adele's niece Maria Altmann successfully reclaimed the paintings in 2006 (the subject of the film "Woman in Gold"), and the first portrait was sold to the Neue Galerie in New York for $135 million — a record at the time.
How does this portrait suit a living room or personal space with an appreciation for Klimt's coloristic late work?

The portrait's richer, more expressively colorful palette compared to Klimt's Golden Phase makes it a particularly vibrant and visually engaging choice for living rooms or personal spaces where color and decorative richness are primary values. Its biographical depth and the remarkable story of its recovery add an additional layer of meaning that makes it more than simply beautiful.

Additional Information “Portrait of Adele Bloch-Bauer II” by Gustav Klimt

“The second Adele shows Klimt evolving.” Gottfried Fliedl

“Color replaces gold but maintains magic.” Jane Kallir

“Adele stands in a garden of pattern.” Tobias Natter

“Klimt found new ways to celebrate beauty.” Carl Schorske

“The background blooms like an exotic garden.” Serge Sabarsky

#1. Second Portrait. Klimt painted Adele twice, this version without gold leaf.

#2. Colorful Background. The painting features a vivid decorative background of Asian influence.

#3. Standing Pose. Unlike the seated first portrait, Adele stands in an elegant pose.

#4. Later Style. This painting shows Klimt moving beyond his golden phase.

#5. Restitution Case. Both Adele portraits were returned to her family after Nazi theft.

A balanced portrait like this fits a gallery wall, reading corner, or a hallway. It also works as part of a small gallery wall when paired with restrained companion pieces. It sits comfortably alongside soft wool textiles, old books, and rustic settings. A portrait of this kind carries the room without competing visual elements crowding it. Avoid harsh white LEDs; soft incandescent or warm daylight reads best.

When recreating this work by hand, the tonal shift from cool half-tone to warm highlight sets the tone; the modeling of the face and hands carries the detail. Reference is checked at multiple distances during painting — close for detail, far for overall balance. For portraits, getting the eyes and mouth right is more important than any other detail. An oil reproduction painted by hand on canvas — the work of a studio painter rather than a printer.

A measured portrait setting carries the picture. The painting works within a controlled palette, value and tone given priority over hue. Light enters at a deliberate angle, supporting the composition without competing with it. The painter's hand is present without dominating the image, paint and drawing balanced. The composition resolves at a distance and continues to give detail closer in. Contour, weight, and value are kept in working agreement. The painter holds value control across the picture rather than relying on local contrast.