Francisco de Goya’s Nude Maja (1797–1800) is one of the most daring and enigmatic works in European art. At first glance, the painting presents a reclining nude woman with an unashamed and...
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Museum-Quality Standards
| Main Features | |
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Author
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Color
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Beige,
White,
Green,
Brown,
Black
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Tags
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Nude,
Reclining Woman,
Classic Art,
Sensual,
19th Century,
Goya
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| Main Features | |
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Alternate Titles
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La Maja Desnuda
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Art Movement
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Romanticism
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Historical Events
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Spanish Inquisition
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| Visual and Stylistic Elements | |
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Brushwork/Texture
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Delicate And Blended
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Focal Point
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The Reclining Female Figure
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Light Source
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Soft Indoor Glow
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Objects
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Woman , Sofa , Cushions , Drapery
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Orientation
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Horizontal
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Perspective
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Naturalistic Perspective
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| Original Masterpiece Features | |
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Condition/Restoration History
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Well-Preserved
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Creation Process
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Oil On Canvas
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Inscriptions/Signatures
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Signed By Goya
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Patron/Commissioner
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Prime Minister Manuel Godoy
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Provenance
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Prado Museum
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| Influences and Related Works | |
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Influences
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Spanish Court Art
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Related Works
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Clothed Maja
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| Exhibition and Market Information | |
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Auction Price
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Not For Sale
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Criticism & Reception
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Praised For Its Bold, Sensual Realism
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Cultural Significance
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Revolutionized The Representation Of The Nude
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Current Owner
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Prado Museum
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Exhibition History
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Prado Museum, Madrid
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Insurance Value
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Priceless
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Market Trends
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High Demand
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Public Domain Status
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Public Domain
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Reproductions
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Highly Reproduced
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Francisco de Goya’s Nude Maja (1797–1800) is one of the most daring and enigmatic works in European art. At first glance, the painting presents a reclining nude woman with an unashamed and direct gaze, a rarity in traditional depictions of the female form. Unlike the idealized nudes of earlier centuries, this woman is neither a goddess nor an allegorical figure. She is real, human, and unapologetically confident in her presence.
Goya painted Nude Maja with remarkable softness and realism, capturing the texture of the skin and the warmth of natural curves. The way the light falls on her body creates a sense of depth and intimacy, making the observer vividly conscious of her presence. Her face is strong rather than coy or submissive, which contrasts sharply with many nudes portrayed before her.
The history of the painting is just as intriguing as the piece itself. It supposedly belonged to a private collection intended for an elite audience and was commissioned under strange circumstances. But uproar resulted from its audaciousness. Goya was forced to defend the painting's survival when the Spanish Inquisition denounced it as improper. Today, instead of being viewed as a scandal, it is regarded as a masterpiece that changed how women are portrayed in art and broke social conventions.
“Goya painted female desire without apology.” Robert Hughes
“The Maja looks at us without shame.” Janis Tomlinson
“Goya challenged every convention of the nude.” Fred Licht
“She is neither goddess nor allegory, just woman.” Juliet Wilson-Bareau
“The scandal was her self-possession.” Sarah Symmons
#1. Bold Nude. This was one of the first Western paintings to show female pubic hair.
#2. Companion Piece. Goya also painted a 'Clothed Maja' with the same pose.
#3. Inquisition Trouble. Goya was called before the Inquisition to explain this scandalous painting.
#4. Unknown Model. The identity of the model remains debated, possibly the Duchess of Alba.
#5. Direct Gaze. The woman looks directly at the viewer with confident sexuality.