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Features “Madonna and Child” by Marianne Preindelsberger Stokes
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Additional Information “Madonna and Child” by Marianne Preindelsberger Stokes

“Stokes brought to the Madonna a quality of real, embodied tenderness that is rare in Victorian religious painting — this is not a symbol but a mother.” — Pre-Raphaelite and Arts and Crafts Movement Review

“Her colours have the richness of medieval manuscript illumination — gold, deep blue, vermilion — applied with a modern hand.” — Women Artists in Britain, 1997

#1. A Pioneering Woman Artist. Marianne Preindelsberger Stokes (1855–1927) was one of the most accomplished women painters of the late Victorian era, celebrated for her technical mastery of egg tempera — a medium she helped revive after centuries of disuse.

#2. The Tempera Revival. Stokes was central to the late 19th-century revival of egg tempera painting among British artists — a technique abandoned since the Renaissance in favour of oil. Her Madonna paintings, executed in tempera with gold leaf, consciously evoke early Italian masters.

#3. Exhibited at the Royal Academy. Stokes exhibited regularly at the Royal Academy and Grosvenor Gallery, achieving recognition unusual for women artists of her period. Her work blends Pre-Raphaelite spirituality with a naturalism drawn from her years studying in Munich and Brittany.