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Features “Judith I 1901” by Gustav Klimt
Main Features
Author
Color
Gold, White, Black, Green, Blue, Yellow
Tags
abstract, figures, Gustav Klimt, gold, patterns, nude, art nouveau
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Additional Information “Judith I 1901” by Gustav Klimt

“Klimt’s Judith is not a heroine — she is a force of nature, part woman, part goddess, entirely dangerous.” — Vienna Secession catalogue, 1903

“The gold, the parted lips, the half-closed eyes — Klimt made the moment after violence more erotic than violence itself.” — Erotic Art in the 20th Century, 1987

#1. Gold as Language. Klimt applied real gold leaf to Judith I — a technique inspired by his study of Byzantine mosaics in Ravenna. The shimmer of gold makes the painting vibrate between icon and erotic fantasy.

#2. Judith or Salome? When first exhibited, many viewers assumed the painting depicted Salome — another biblical femme fatale. Klimt insisted it was Judith. The ambiguity is deliberate: both figures represent female power over male vulnerability.

#3. The Model Was a Real Person. Art historians believe Judith was modelled on Adele Bloch-Bauer, a Viennese socialite and Klimt’s most important patron — the same woman who appears in his famous Portrait of Adele Bloch-Bauer I, which sold for $135 million in 2006.


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