Daughters of Revolution

Name: Daughters of Revolution
Brand: Grant Wood
SKU: daughters-of-revolution
Price: 479 USD
Availability: InStock

Grant Wood

Item Number: 30699

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Three older women stand in a tight horizontal grouping, dressed in dark clothing, holding teacups. They look directly out of the canvas. Behind them, Wood places a small reproduction of Washington Cro...

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Features “Daughters of Revolution” by Grant Wood

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Author	Grant Wood

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Description “Daughters of Revolution” by Grant Wood

Three older women stand in a tight horizontal grouping, dressed in dark clothing, holding teacups. They look directly out of the canvas. Behind them, Wood places a small reproduction of Washington Crossing the Delaware, framed and hung on the wall. The picture is built on the contrast between the cool, precise treatment of the three faces and the bright, narrative painting behind them. Wood paints the women with a faint air of satire, but the surface remains controlled.

As a hand-painted oil reproduction, the canvas keeps the discipline of the drawing — the part of Wood's portrait work that print can flatten into stiffness. The picture suits a hallway, a sitting room, or a study with a clear sightline, where the row of three faces can be read in full. A slim, plain wood frame is the most coherent pairing.

Daughters of Revolution is one of Grant Wood's most discussed paintings and a defining work in his treatment of American social subjects. As a museum-quality reproduction it offers a buyer a sharper, more pointed Regionalist image than the more familiar farm landscapes.

Collector's Guide PDF “Daughters of Revolution” by Grant Wood

Daughters of Revolution — Collector's Guide (PDF)

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What does Grant Wood depict in "Daughters of Revolution," and what is its satirical intent?

The painting shows three elderly women posed before the iconic image of "Washington Crossing the Delaware" — members of the Daughters of the American Revolution (DAR), whose claims to patriotic lineage Wood treats with gentle but unmistakable satire. The women's self-satisfied expressions and the somewhat prim, provincial quality of their bearing contrast comically with the heroic scene behind them.
How does Wood use the visual strategies of portraiture to achieve his satirical effect?

Wood paints the three women with the same meticulous precision he brought to his serious portraits, but their faces have a quality of slightly frozen self-importance and their expressions the slightly vacant satisfaction of people certain of their own significance. The famous patriotic painting visible behind them — heroic, dynamic, ambitious — serves as a quietly devastating counterpoint to their composed provinciality.
What was the personal context for Wood's satire of the Daughters of the American Revolution?

Wood had been criticized by the Iowa chapter of the DAR for using German craftsmen to create a stained glass memorial window — an entirely practical decision — and "Daughters of Revolution" was his artistic response to what he saw as the narrow, provincial conservatism masquerading as patriotism. The painting was one of his most controversial works.
How does this gently satirical painting work in a home interior?

The painting's combination of precise portraiture and wry social commentary makes it a conversation-starting work suited to living rooms, libraries, or dining areas where art that combines technical excellence with a sense of humor is valued. Its American subject matter, historical resonance, and gentle wit give it a particular appeal for American homes.

Additional Information “Daughters of Revolution” by Grant Wood

“Wood painted American self-righteousness with a sharp eye.” Wanda Corn

“In these faces, patriotism becomes petty snobbery.” James Dennis

“Wood knew how to make gentle mockery of American institutions.” Henry Adams

“The painting exposes the gap between patriotic rhetoric and reality.” Barbara Haskell

“Wood's satire cuts deep beneath a pleasant surface.” Matthew Baigell

#1. Satirical Intent. The painting satirizes the Daughters of the American Revolution organization.

#2. Personal Grudge. Wood created this after the DAR opposed his hiring German craftsmen for a stained glass window.

#3. Washington's Crossing. The background shows Emanuel Leutze's famous painting, adding ironic commentary.

#4. American Gothic Echo. The stern-faced women recall American Gothic's ambiguous characterization.

#5. Tea Party Reference. The teacup suggests the social pretensions Wood mocked.

The balanced palette reads naturally in a library or study, or a gallery wall. Allow generous wall space on either side; the composition needs room to breathe. It pairs well with old books and natural linen in traditional interiors. It belongs where conversation pauses — a study, library, or formal sitting room rather than a casual lounge. Warm ambient lighting brings out the textures and depth of the painted surface.

The painter starts with the gesture of each figure before refining the spatial composition. The artist works from broad blocks to controlled detail, never the other way around. Historical scenes ask for gesture before detail: each figure has to read at distance. Worked by hand in oil on canvas, the painting retains the brush marks that give it life. Each piece carries the painter's hand visibly, in the way the original carries the artist's hand.

Posture and architecture knit the scene together. Lighting is controlled, used to round form rather than to declare a single source. The palette is held in close range, the painter favoring tonal modulation over high contrast. Brushwork is consistent across the scene, the touch held in steady register. The result is an arrangement that reads clearly from a distance and holds detail on close inspection. The painter holds value control across the picture rather than relying on local contrast.