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Features “Buddha in His Youth” by Odilon Redon
Main Features
Author
Color
Blue, White, Brown, Green, Red, Beige, Flesh Tones, Black, Gold, Yellow
Tags
Sistine Chapel, Michelangelo, fresco, biblical, religious art, Last Judgment, judgment day, classical art, Italian art, divine, human figures, heaven, hell
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Additional Information “Buddha in His Youth” by Odilon Redon

“Redon painted inner states — dreams, visions, the liminal world between sleep and waking. Buddha in his youth is the perfect subject for such a painter.” — Museum of Modern Art, New York

“His pastels have a luminosity that oil cannot match — they seem lit from within, as if the colour itself were generating light.” — Symbolism in European Art, 1984

#1. Redon’s Spiritual Turn. In the 1890s, Odilon Redon (1840–1916) increasingly turned to Eastern spirituality and religious subjects — Buddha, the Cyclops, mythological figures — as vehicles for his exploration of the boundary between the visible and invisible world.

#2. Master of Pastel. Redon’s late career was dominated by pastel, a medium in which he achieved unparalleled luminosity — his flower bouquets and mythological figures shimmer with an intensity that seems to exceed the physical properties of the pigment.

#3. From Black to Colour. Redon spent the first half of his career working almost exclusively in black — charcoal, lithography, and ink. His turn to vivid colour in the 1890s was so dramatic that critics called it a second artistic life, more joyful and more mystical than anything that preceded it.